Saturday, April 9, 2016

The Nitty Gritty of Creativity

A non-linear video editor (NLVE) is a truly wondrous piece of software. The ability to organize and track hundreds of video clips, and to display several dozen showing their relationship to each other, while viewing in one place the result of  their combined visual impact – Wow! Not to mention that you can do the same thing with the sound track from each clip, either combined or separately from the visual. I use a program called Sony Vegas Pro. It’s not as famous as some others like Adobe Premier, which a lot of professionals favor. Maybe the others have some added capabilities but if so they are way beyond my skill level to use. My sound editor is Audacity, which is freeware but seems to be the preferred tool for almost everybody who works on their own rather than in a studio.
A project like Dragons in the Box involves a lot of self-education. I want to make text crawl across the screen in some places. How do I create that effect? I really botched the exposure on one set of interviews – how, and how much, can I restore those sequences to something like a normal look? Here is a great shot, but the camera jerked in the middle of it – how can I smooth that out?
There are a lot of decisions to be made. How long does this scene need to go on to make the point I want to make? Does this sequence need narration, or is it self-evident? Two or three people made the same observation during interviews – which one(s) do I include? On an interview where I messed up the exposure, should I eliminate that problem by just leaving it out, or is the interview so good it should be included even though flawed visually?
This is how I’m spending my days and much of my nights. Telling you about it sort of violates the rule about sausage and politics, but the good news is that I’m really pleased with how the result is turning out. I think it will tell the story we want to tell. It’s shaping up to be about 48 minutes in length, which is less than the typical broadcast documentary and there are no commercials. Maybe this is not objective, but sitting and watching my early cuts all the way through, it doesn’t feel like that much time goes by.

I’m hoping to get the final cut reviewed and send it to you next week. That amazes me, I really thought I would be pushing to get to this point by July.